Year after year, one event on Ghana’s entertainment calendar draws thousands with a magnetism that’s hard to explain but impossible to ignore—MTN Stands in Worship.
Now firmly entrenched as the country’s most beloved gospel concert, the 2025 edition held at the Grand Arena Dome on April 20 proved once again why it’s more than just a musical gathering—it’s a national spiritual revival, a cultural celebration and a purposeful platform for both emerging and veteran gospel voices.
For many Ghanaians, Stands in Worship is not just an event; it’s a sacred appointment. An annual Easter tradition that brings together people of all walks of life; it embodies the power of music to inspire, heal and unify.
From traders to tech executives, students to pastors, the crowd came hungry for a spiritual encounter, and they were not disappointed.
Uplifting the gospel, honouring the veterans
One of the defining pillars of MTN Stands in Worship is its unwavering commitment to supporting gospel musicians, particularly those whose voices once ruled the airwaves but are now less seen in mainstream circles.
This year’s performance by the legendary Tagoe Sisters was a testament to MTN’s conscious effort to preserve and promote the heritage of gospel music.
In an era where platforms are often skewed toward the young and viral, MTN has carved out space for Ghana’s gospel pioneers to shine again.
Their return to a grand stage was more than nostalgic—it was a powerful statement: your ministry still matters. “They didn’t just invite us to sing,” one veteran artist said backstage. “They reminded the nation that we still have something to offer.”
Fuelling the industry with praise and purpose
MTN’s investment in the gospel space goes beyond lights and sound. With initiatives like the MTN Viva Voices which opened this year’s show with roof-raising praise, the company is actively developing young gospel talent.
The group, made up of professionals with a heart for ministry, brought a sound so powerful it instantly raised the spiritual temperature in the Dome.
And then came the spiritual architects—Moses OK, Nacee, Bethel Revival Choir and Empress Gifty—each delivering powerhouse performances that moved both body and soul. These acts aren’t just popular, they’re transformational; and MTN has been instrumental in giving them a platform to minister on a massive scale.
The anticipation, the connection, the impact
It’s no exaggeration to say Ghanaians wait all year for this night. Long before tickets go on sale, social media buzzes with anticipation. The phrase “Are we standing this year?” has become a coded expression of hope, joy and spiritual yearning. For many, the concert is more than a show—it’s a turning point.
Take Maame Serwaa from Amasaman, for example. Like thousands of others, she made the journey, braved the queues and danced with a heart full of praise. “This is where I reconnect with God in the loudest, most beautiful way,” she said. “I wish it happened every month.”
A platform for purpose, not just performance
MTN’s approach to Stands in Worship is refreshingly different from the typical corporate-sponsored concert. While entertainment is high on the agenda, the brand’s true intention is impact.
Through uplifting messages, acts of kindness (including giveaways of airtime and smartphones) and powerful moments of worship, MTN leaves its audience not just entertained—but transformed.
And the ripples extend far beyond the dome. Gospel artistes gain visibility, streaming numbers soar and many find renewed relevance and ministry opportunities after performing on the Stands in Worship stage.
Looking ahead
As the final chords of Empress Gifty’s thunderous finale echoed through the Grand Arena Dome and the crowd slowly spilled into the night, one thing was clear: MTN has once again created something rare—a national altar in the form of a concert.
A night where technology meets testimony, branding meets blessing and Ghana’s gospel heartbeat is heard loud and clear. With its perfect blend of worship, celebration and purpose, MTN Stands in Worship has not only lifted hands—it has lifted lives, elevated the gospel industry and preserved a sacred space in Ghana’s music culture. And in doing so, it has become not just a concert—but a legacy.
